No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thine own
Or of thine friend’s were.
Each man’s death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.
These famous words by John Donne (pronounced “Dunn”) were not originally written as a poem – the passage is taken from the 1624 Meditation 17, from Devotions Upon Emergent Occasions and is prose. The final 3 lines are possibly amongst the most quoted excerpts of English verse.
Interesting fact: Donne was Dean of St Paul’s Cathedral (London)
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Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love,
And in my soul am free,
Angels alone that soar above
Enjoy such liberty.
Richard Lovelace was born a nobleman, being the firstborn son of a knight. On April 30, 1642, on behalf of Royalists in Kent, he presented to Parliament a petition asking them to restore the Anglican bishops to Parliament; as a result he was immediately imprisoned in Westminster Gatehouse where, whilst serving his time, wrote “To Althea, From Prison”, which contains – as per the excerpt given – one of the more famed lines of English verse “Stone walls do not a prison make, Nor iron bars a cage”. Basically, Lovelace is saying that physical imprisonment/oppression cannot stifle his imagination or spirit.
Interesting fact: While in prison, Lovelace worked on a volume of poems, titled Lucasta, which was considered to be his best collection. The “Lucasta” to whom he dedicated much of his verse was Lucy Sacheverell, whom he often called Lux Casta. Unfortunately, she mistakenly believed that he died at the Battle of Dunkirk in 1646 and so married somebody else. Oops!
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The Curfew tolls the Knell of parting Day,
The lowing Herd winds slowly o’er the Lea,
The Plowman homeward plods his weary Way,
And leaves the World to Darkness, and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds.
Thomas Gray’s Elegy (an elegy commemorates death) was written after the passing of one of Gray’s close friends, and is a meditation on the mortality of man. Gray was Professor of History and Modern Languages at Cambridge and, despite not being a prolific writer, was one of the most prominent poets of his day He was buried in Stoke Poges (near Windsor, England) the village whose churchyard was where he composed the Elegy.
Interesting fact: although he became a literary giant of his age, Gray only published 1,000 lines of poetry during his lifetime – this was due, largely, to his acute fear of failure.
###################################
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas, one of the 20th century’s more influential poets, wrote this to commemorate the death of his father. The poem (which in its entirety has 19 lines) has only 2 rhymes throughout.
Interesting facts: it is widely held that Robert Zimmerman adopted the name Bob Dylan as a homage to Dylan Thomas, who was somewhat of a Bohemian cult figure in the USA.
Widely believed to be an alcoholic (a rumor that Thomas himself “promoted”), there is much evidence to suggest that this was not the case (including the state of his autopsied liver).
#################################
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
from The Road Not Taken (1916)
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I
I took the one less traveled by,
And that has made all the difference.
Just a few lines from two of Robert Frost’s more famous works. Frost remains one of America’s pre-eminent poets, and there is often a genial simplicity in his words that continues to make his poetry accessible. Although a common theme in Frost is individuality or independence, I cannot help but think that he doesn’t follow through enough.
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thine own
Or of thine friend’s were.
Each man’s death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.
These famous words by John Donne (pronounced “Dunn”) were not originally written as a poem – the passage is taken from the 1624 Meditation 17, from Devotions Upon Emergent Occasions and is prose. The final 3 lines are possibly amongst the most quoted excerpts of English verse.
Interesting fact: Donne was Dean of St Paul’s Cathedral (London)
##################################
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love,
And in my soul am free,
Angels alone that soar above
Enjoy such liberty.
Richard Lovelace was born a nobleman, being the firstborn son of a knight. On April 30, 1642, on behalf of Royalists in Kent, he presented to Parliament a petition asking them to restore the Anglican bishops to Parliament; as a result he was immediately imprisoned in Westminster Gatehouse where, whilst serving his time, wrote “To Althea, From Prison”, which contains – as per the excerpt given – one of the more famed lines of English verse “Stone walls do not a prison make, Nor iron bars a cage”. Basically, Lovelace is saying that physical imprisonment/oppression cannot stifle his imagination or spirit.
Interesting fact: While in prison, Lovelace worked on a volume of poems, titled Lucasta, which was considered to be his best collection. The “Lucasta” to whom he dedicated much of his verse was Lucy Sacheverell, whom he often called Lux Casta. Unfortunately, she mistakenly believed that he died at the Battle of Dunkirk in 1646 and so married somebody else. Oops!
###################################
The Curfew tolls the Knell of parting Day,
The lowing Herd winds slowly o’er the Lea,
The Plowman homeward plods his weary Way,
And leaves the World to Darkness, and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds.
Thomas Gray’s Elegy (an elegy commemorates death) was written after the passing of one of Gray’s close friends, and is a meditation on the mortality of man. Gray was Professor of History and Modern Languages at Cambridge and, despite not being a prolific writer, was one of the most prominent poets of his day He was buried in Stoke Poges (near Windsor, England) the village whose churchyard was where he composed the Elegy.
Interesting fact: although he became a literary giant of his age, Gray only published 1,000 lines of poetry during his lifetime – this was due, largely, to his acute fear of failure.
###################################
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas, one of the 20th century’s more influential poets, wrote this to commemorate the death of his father. The poem (which in its entirety has 19 lines) has only 2 rhymes throughout.
Interesting facts: it is widely held that Robert Zimmerman adopted the name Bob Dylan as a homage to Dylan Thomas, who was somewhat of a Bohemian cult figure in the USA.
Widely believed to be an alcoholic (a rumor that Thomas himself “promoted”), there is much evidence to suggest that this was not the case (including the state of his autopsied liver).
#################################
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
from The Road Not Taken (1916)
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I
I took the one less traveled by,
And that has made all the difference.
Just a few lines from two of Robert Frost’s more famous works. Frost remains one of America’s pre-eminent poets, and there is often a genial simplicity in his words that continues to make his poetry accessible. Although a common theme in Frost is individuality or independence, I cannot help but think that he doesn’t follow through enough.
Another "Frost" that hits me often:
ReplyDelete"And they, since they were not the one dead, turned to their own affairs."
It's the way it's gotta be, but it's so heart-catching.